Michael Hidetoshi Mori
Michael Hidetoshi Mori is the General Director and Artistic Director of Tapestry Opera and a freelance opera director based in Toronto, Canada. Michael has won Canada’s highest award for outstanding direction in opera twice, has received accolades as a recording artist and film director, and developed and directed Nicole Lizée and Nicolas Billon’s R.U.R., a Torrent of Light which won the MCANA 2023 Best New Opera (first time for a Canadian work), and most recently became the youngest recipient of Opera Canada’s Ruby Award for his co-creation of Women in Musical Leadership with co-awardee Jaime Martino. Michael is also the past chair of the Association for Opera in Canada and a board member of Opera America.
Some opera and music theatre collaborative projects that Michael has piloted include working with the punk rock band Fucked Up on Metallurgy, The Ontario College of Art and Design to create cue-able collaboratively developed wearable tech for the robot-opera R.U.R. a torrent of light, Persian Classical musicians and a Farsi rapper for the opera Forbidden, 10+ Indigenous artists and elders for the collaborative creation of Shanawdithit, giving voice back to the last living Beothuk (the first full Indigenous genocide in North America), and creating the Opera Writers Room during the pandemic to create S.O.S. aka Sketch Opera Shorts with a team of writers, composers, singers, and pianists exchanging roles fluidly. Michael has led Tapestry Opera as Artistic Director since 2014, helping commission and premiere over 15 major Canadian works.
Coffee or tea:
Favourite Tapestry show or memory:
Musical talent(s):
Most anticipated part of our new neighbourhood and venue:
Favourite Opera / Musical:
I recommend:
Tea.
When we were doing M’dea Undone at the Evergreen Brickworks, the space was covered but semi-open to the elements, and it began to rain during a scene. As the rain started to abate, conductor Jordan de Souza could guess when it would stop and timed the playout of the scene with the end of the rain for a magical scene transition.
A little-known fact is that I am an enthusiastic Alphorn (Think Riiii-cola) player. In my twenties, I used to busk across Europe with the alphorn and dragged it up a few mountains in BC to find the perfect echo.
I’m excited for the point when the venue and facility are so frequently used that it becomes a place to encounter new artists from different disciplines and shows in the green room.
Wozzeck – crazy, love it!
Ivan Bartotin and Liza Balkan‘s What Rhymes with Azimuth!