Jacqueline dives into the real-life struggle between celebrity virtuosic cellist Jacqueline du Pré and the multiple sclerosis that ravaged her body, mind, and talent, robbing her of her identity, her breathtaking musical gift, and her life.
This intimate piece for soprano and cello brings two contemporary virtuosi to the stage: celebrated American soprano Marnie Breckenridge as Jacqueline, and renowned cellist (and former du Pré protégé) Matt Haimovitz playing du Pré’s only constant companion, her cello.
Inspired by the structure and emotional landscape of Edward Elgar’s Cello Concerto, composer Luna Pearl Woolf and Pulitzer Prize winning librettist Royce Vavrek chart the development of great prodigy and ultimately, great tragedy. Jacqueline references Haimovitz’s personal recollections of du Pré herself, having spent time as a young prodigy under her wing. Colourful and at times fractured, the form of the work echoes du Pré’s iconic interpretation of the Elgar, using the concerto’s four-movement structure to navigate a prismatic and passionate, if all too short, life in music.
ABOUT JACQUELINE du Pré:
Jacqueline du Pré was born in Oxford in 1945. She received her first cello at age five and by age 11, she earned an acclaimed scholarship which exposed her to some of the greatest music teachers available. Her life revolved around the cello and she was one of a rare group of musicians who had both a flawless technique and an innate understanding of the passion within music. At 15, she was the youngest person ever to be awarded the Queen’s Prize and by age 18 she was already a soloist with the BBC Symphony Orchestra.
In 1965, du Pré made her “definitive” recording of the Elgar concerto with the London Symphony Orchestra which was widely considered so perfect, other renowned cellists stopped playing it. In 1968, she began experiencing numbness in her fingers which her doctor misdiagnosed as stress. Four years later, at 28 years old, she was finally diagnosed with multiple sclerosis and the numbness in her fingers had become so extreme, she could no longer play. Jacqueline du Pré finally succumbed to her disease in 1987 at the age of 42.
Betty Oliphant Theatre
404 Jarvis St, Toronto
- Opening Night
The performance is one hour and 47 minutes including a 15 minute intermission
"an extraordinary piece, one that deserves an unquestioned place in the 21st-century canon"
"Marnie Breckenridge and cellist Matt Haimovitz are sublime"
"go for the music, stay for everything else"
Luna Pearl WoolfComposer
Michael Hidetoshi MoriDirector
- Camellia Koo: Set and Costume Designer
- Bonnie Beecher: Lighting Designer
- Isolde Pleasants-Faulkner: Stage Manager
- Suzie Balogh: Production Manager
- Sebastian Marziali: Production Assistant
- Jason Cabanaw: Sound Coordinator
- Ann MacKenzie: Head of Wardrobe
- Julian Iacob: Assistant Lighting Designer
- Lisa Nighswander: Head of Props
- Sharon Ryman: Wig Supervisor