Sarah Mole

Praised for her “angelic voice” (Ludwig Van Toronto), Sarah Mole is a multifaceted performer & artist hailing from St. John’s. Sarah was the Alto Soloist for Haydn’s Creation (Amadeus Choir, Toronto Symphony Orchestra), and Mary, Wife of Cleophas in Samuel Coleridge-Taylor’s The Atonement (Orpheus Choir of Toronto). She sang the soprano and mezzo solos for Carlos Alberto Pinto Fonseca’s Missa Afro-Brasiliera as part of the Luminato Festival in Koerner Hall and the HarbourVoices Festival in Newfoundland. She premiered David A. Rahbee’s orchestral arrangement of Four Songs by Clara Schumann with UofT’s Campus Philharmonic Orchestra. 

Sarah is also an avid member of the GTA’s vibrant choral scene, currently holding a Sidgwick Scholar position with the Orpheus Choir of Toronto. She is a graduate of the University of Toronto’s Faculty of Music, where she studied under the tutelage of Wendy Nielsen and Mary Morrison. 

Sarah is an arts administrator in Toronto, currently serving as the Communications & Public Relations Manager for Toronto Summer Music. Her digital artwork can be seen on JUNO Award-winning pianist Philip Chiu’s recent album, Voyages.